Wednesday, August 15, 2012

New novels need you


The Family Corleone by Ed Falco  (Based On Work by Mario Puzo)

Overview –

New York, 1933. The city and the nation are in the depths of the Great Depression. The crime families of New York have prospered in this time, but with the coming end of Prohibition, a battle is looming that will determine which organizations will rise and which will face a violent end.

For Vito Corleone, nothing is more important that his family's future. While his youngest children, Michael, Fredo, and Connie, are in school, unaware of their father's true occupation, and his adopted son Tom Hagen is a college student, he worries most about Sonny, his eldest child. Vito pushes Sonny to be a businessman, but Sonny-17 years-old, impatient and reckless-wants something else: To follow in his father's footsteps and become a part of the real family business.

An exhilarating and profound novel of tradition and violence, of loyalty and betrayal, The Family Corleone will appeal to the legions of fans who can never get enough of The Godfather, as well as introduce it to a whole new generation.





Canada by Richard Ford

Kirkus Reviews –

A great American novel by the Pulitzer Prize–winning author. This is Ford's first novel since concluding the Frank Bascombe trilogy, which began with The Sportswriter (1986), peaked with the prize-winning Independence Day(1995) and concluded with The Lay of the Land (2006). That series was for Ford what the Rabbit novels were for Updike, making this ambitious return to long-form fiction seem like something of a fresh start, but also a thematic culmination. Despite its title, the novel is as essentially all-American as Independence Day. Typically for Ford, the focus is as much on the perspective (and limitations) of its protagonist as it is on the issues that the narrative addresses. The first-person narrator is Dell Parsons, a 15-year-old living in Montana with his twin sister when their parents--perhaps inexplicably, perhaps inevitably--commit an ill-conceived bank robbery. Before becoming wards of the state, the more willful sister runs away with her boyfriend, while Dell is taken across the border to Canada, where he will establish a new life for himself after crossing another border, from innocent bystander to reluctant complicity. The first half of the novel takes place in Montana and the second in Canada, but the entire narrative is Dell's reflection, 50 years later, on the eve of his retirement as a teacher. As he ruminates on character and destiny, and ponders "how close evil is to the normal goings-on that have nothing to do with evil," he also mediates between his innocence as an uncommonly naïve teenager and whatever wisdom he has gleaned through decades of experience. Dell's perspective may well be singular and skewed, but it's articulate without being particularly perceptive or reflective. And it's the only one we have. In a particularly illuminating parenthetical aside, he confesses, "I was experiencing great confusion about what was happening, having had no experience like this in my life. I should not be faulted for not understanding what I saw." At the start of the novel's coda, when Dell explains that he teaches his students "books that to me seem secretly about my young life," he begins the list with The Heart of Darkness and The Great Gatsby. Such comparisons seem well-earned.




In One Person by John Irving

Kirkus Reviews –

Billy Dean (aka Billy Abbott) has a difficult time holding it together in one person, for his bisexuality pulls him in (obviously) two different directions. Billy comes of age in what is frequently, and erroneously, billed as a halcyon and more innocent age, the 1950s. The object of his first love--or at least his first "sexual awakening"-- is Miss Frost, the librarian at the municipal library in the small town of First Sister, Vt. While Miss Frost's small breasts and large hands might have been a tip-off--and the fact that in a previous life she had been known as Al Frost--Billy doesn't quite get it until several years later, when the librarian seduces him. At almost the same time he becomes aware of Miss Frost as an erotic object, he develops an adolescent attraction to Jacques Kittredge, athlete and general Golden Boy at the academy they attend. And Billy also starts to have conflicted feelings toward Elaine, daughter of a voice teacher attached to the academy. (As Irving moves back and forth over the different phases of Billy's sexual life, we find he later consummates, but not happily, his relationship with Elaine.) We also learn of Billy's homoerotic relationships with Tom, a college friend, and with Larry, a professor Billy had studied with overseas. And all of these sexual attractions and compulsions play out against the background of Billy's unconventional family (his grandfather was known for his convincing portrayals of Shakespeare heroines--and he began to dress these parts offstage as well) and local productions of Shakespeare and Ibsen. Woody Allen's bon mot about bisexuality is that it doubled one's chances for a date, but in this novel Irving explores in his usual discursive style some of the more serious and exhaustive consequences of Allen's one-liner.



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