Kirkus Reviews
Preston and Child's (Cold Vengeance, 2011, etc.) thriller
completes the Helen trilogy featuring the weird and unworldly Aloysius
Pendergast, special agent for the FBI. The conclusion opens with Pendergast
called to meet Helen, the wife he presumed dead, in New York City's Central
Park. There's a touching, tentative reunion, and then Der
Bund strikes again, kidnapping Helen and leaving Pendergast wounded.
Pendergast offers a treatise on detection perfection, tracing Helen from hither
and yon to Sonora, Mexico. There's another shootout. Helen's killed, and
principal bad guy, Wulf Konrad Fischer, escapes. Pendergast retreats to his
Dakota apartment in New York City and into a grief-and-guilt-driven drug
addiction. Friends intervene. Lt. D'Agosta, city police detective, pleads for
Pendergast to help search for a serial killer. Corrie Swanson, criminal justice
student, is in danger after stumbling on a Nazi safe house in her quest to help
Pendergast. With Pendergast's aid, Corrie takes refuge with her estranged
father, only to find him framed for a bank robbery. Psychiatrist Dr. John
Felder discovers the institutionalized Constance Greene may truly be a century
and a half old. Pendergast, intrigued by the bizarre serial murders, applies
DNA analysis, which leads him to think the murderer is his brother Diogenes, a
villain supposedly dead in a Sicilian volcano. Further analysis reveals truths
even more grotesque. The most simplistic of the narratives follows Corrie
clearing her father; the most gothic follows Felder seeking proof of Greene's
age; and the most violent follows Pendergast as he uncovers secrets about Helen
and then takes revenge by breaching a Nazi refuge in Brazil. Pendergast's
narrative offers angst and ample bloodletting in gothic locales and
confrontations with the issue of Mengele's twins experiments mated with quantum
mechanics and genetic manipulation. If Preston and Child fans haven't read the
first two volumes in the Helen trilogy, confusion will reign. Pendergast--an
always-black-clad pale blond polymath, gaunt yet physically deadly, an FBI
agent operating without supervision or reprimand--lurks at the dark, sharp edge
of crime fiction protagonists.
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Kirkus Reviews
Bob Lee Swagger comes out of retirement to solve the murder
of John F. Kennedy. Lots of people are killed in hit-and-run accidents, but
Jean Marquez isn't so sure that her husband was one of them. In the weeks
before his untimely death, James Aptapton, an alcoholic writer and gun fanatic
whose hero, Billy Don Trueheart, will surely ring a bell for fans of Hunter
(Soft Target, 2011, etc.), had been bitten by the JFK conspiracy bug, and his
widow has come to Idaho to ask Swagger what he thinks. He thinks he'll pass
until she drops one last detail: The ancient raincoat found in an elevator
mechanism compartment in the Dal-Tex Building, just yards from the Texas Book
Depository, showed signs of being run over by a bicycle. Hunter is at his best
in unmasking problems with the evidence against Lee Harvey Oswald as the lone
gunman--why did the third bullet he allegedly fired at the president explode
without leaving any recognizable traces? Why did Oswald cock his rifle once
more after the kill shot? Why, after shooting Officer J.D. Tippit three times,
did he stop to administer an unnecessary coup de grace?--and proposing an
alternative scenario that provides logical answers. But neither the conspiracy
he invents nor the people who act it out, from Russian gangsters and oligarchs
to a rogue CIA officer determined to protect the nation from Kennedy's policies
and the tight little crew he gathers around him, are credible for a moment, and
his decision to alternate sections of the chief conspirator's tell-all journals
with Swagger's dogged pursuit of him produces less tension than bemusement. If
it weren't for the promised firepower at the showdown, all but the staunchest
conspiracy buffs would give up midway. An uneven thriller that's unpersuasive
as revisionist history but has its points as a hard-knuckled critique of conventional
wisdom on the assassination and a portrait of the hapless Oswald.
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From the Publisher –
From the bestselling author of Drive and A
Whole New Mind comes a surprising—and surprisingly useful—new book that
explores the power of selling in our lives.
According to the U.S. Bureau of Labor Statistics, one in nine Americans works in sales. Every day more than fifteen million people earn their keep by persuading someone else to make a purchase.
According to the U.S. Bureau of Labor Statistics, one in nine Americans works in sales. Every day more than fifteen million people earn their keep by persuading someone else to make a purchase.
But dig deeper and a startling truth emerges:
Yes, one in nine Americans works in sales. But
so do the other eight.
Whether we’re employees pitching colleagues on a new idea,
entrepreneurs enticing funders to invest, or parents and teachers cajoling
children to study, we spend our days trying to move others. Like it or not,
we’re all in sales now.
To Sell Is Human offers a fresh look at the art
and science of selling. As he did in Drive and A Whole New
Mind, Daniel H. Pink draws on a rich trove of social science for his
counterintuitive insights. He reveals the new ABCs of moving others (it's no
longer "Always Be Closing"), explains why extraverts don't make the
best salespeople, and shows how giving people an "off-ramp" for their
actions can matter more than actually changing their minds.
Along the way, Pink describes the six successors to the
elevator pitch, the three rules for understanding another's perspective, the
five frames that can make your message clearer and more persuasive, and much
more. The result is a perceptive and practical book—one that will change how
you see the world and transform what you do at work, at school, and at home.
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